Monday, November 28, 2011
Why Getting "Up at Dawn" Was Totally Worth It
"Up At Dawn"
8" x 10" oil on canvas panel.
S O L D
Here is another painting from my trip to San Luis Obispo. One of the great things about painting outdoors all day, every day during a trip like that, is that you can plan to catch that fast-moving light in early morning or twilight.
This view was just around the corner from where I was staying. I spotted it as soon as I arrived but the light wasn't right. After a couple of days I figured out that dawn would be the best time to try painting this farm.
The trick to painting in early morning is to get up before dawn, set up the easel, block in the big shapes of the painting and wait. When the light finally hit the land I worked very quickly to put down the important color notes that would define the moment. The light only lasts for about 15-20 minutes so the blocking in I did initially was vital. After that I used my memory to fill in the final details.
"Farm in Morning Light"
6" x 8" oil on canvas
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As a landscape painter I am often asked by my students why I paint outside and apart from the usual answer about the light and how there is no substitute for painting from life there is the intangible - the absolute peace of witnessing the sunlight creep over a hillside and light up a mist-filled field, feeling the mist on my face when a breeze stirs and knowing that this particular moment will never be repeated in exactly the same way again. That's what keeps me going out again and again, if you've never experienced it I highly recommend giving it a try.